The evening Master arrived at the Chi-ku Center in Tainan, while walking around, She came across a small recording studio in one corner of the meditation hall. There She discovered an electric organ and was spontaneously inspired to play. At times using two hands was simply not enough for Her music, so She solved this by also using one of Her feet on the keyboard. In this way, Master created a wonderful diversity of sound and style.

Master played for three days in a row. One night around midnight, the Brother who was responsible for recording heard, in his dreams, distant sounds of the electric organ. He instinctively got up, rushed to the recording studio and switched on the recording equipment which had been set up beforehand. This was how the music was recorded unnoticed...

(Tainan, Formosa Time: February 17, 1993.)